By Glenn Fabry, Ben Cormack
Книга для тех, кто увлекается рисовать фэнтэзи. Довольно подробно описано как рисовать фэнтэзи с точки зрения анатомии. В книге более three hundred цветных иллюстраций.
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Powerful photos in simple terms occur via a mixture of technical excellence and thorough composition. whereas there's lots of technical suggestion, photographers frequently flip to fine-art resources for the so-called 'rules of composition'. This e-book, although, recognizes photography's fairly various dynamic and gives a modern method of composition extra fitted to the medium.
В книге прелагается авторский метод совершенствования профессиональных навыков фотографа с помощью съемки объекта сериями кадров с вариацией условий и последующим анализом результатов.
In brilliant mild, it's more uncomplicated to take a gorgeous picture together with your DSLR. while the sunlight begins to head down otherwise you are capturing interior, an entire new ability set is required. This new addition to the winning box consultant sequence can help you shoot what almost certainly may be the most lovable photo with out assistance from usual mild.
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Extra resources for ANATOMY FOR FANTASY ARTISTS
Consult your manual for how to re-enable them. Your camera might also have a reset feature, which will restore all settings to their factory defaults. After a reset, you can slowly customize the camera as you learn about different features. Adjusting the Focus of the Viewfinder If you have an SLR, or a point-andshoot camera with an optical viewfinder, and you find that the image still looks fuzzy after the camera has locked focus, then there’s a chance that the diopter control on your viewfinder needs adjustment.
Just as importantly, you need to be able to make these adjustments quickly and efficiently without breaking the “flow” of your shooting. In this chapter, we’re going to build on what you learned in Chapter 2 and explore the handling of your camera a little deeper. Along the way, you’ll learn a little more about its inner workings. Point-and-Shoots and SLRs Revisited In the last chapter, you learned some of the very high-level differences between a point-andshoot camera and an SLR. However, for a more useful understanding of the strengths and weaknesses of both types of cameras, we need to go a little deeper into the fundamental characteristics of both types of cameras.
Film cameras, for example, add the capability to hold rolls of film and have a mechanism to advance the film roll to a new, unexposed area of film. This saves the photographer the trouble of hassling with changing the film every time he wants to take an image. Light meters, autofocus systems, and LCD screens—all of these serve to make things easier for the photographer. As far as actual image capture goes, though, all you really need is a lightproof box, a recording medium, and a lens. One Camera, Hold the Lens Actually, you don’t necessarily even need a lens.