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All The Way (aka "The Concrete Flamingo") by Charles Williams

By Charles Williams

All The Way is a compact, well outfitted factor established round an interesting premise: to be able to devote the right crime, Jerry Forbes has to spend every week impersonating a guy he doesn’t resemble… whom he helped homicide.

Charles Williams (1909-1975) used to be one of many preeminent authors of yank crime fiction. Born in Texas, he dropped out of faculty in 10th grade to enlist within the US service provider Marine, serving ten years earlier than leaving to paintings within the electronics undefined. on the finish of worldwide battle II, Williams all started writing fiction in San Francisco, the place the luck of the “backwoods noir” Hill woman (1951) allowed him to give up his task and write complete time for the remainder of his life.

Williams’ fresh and just a little informal narrative sort distinguishes his novels, which variety from hard-boiled noir to suspense thrillers, set within the sea and the Deep South. even though released by means of pulp homes, his paintings gained nice severe acclaim, with Hell Hath No Fury (1953) changing into the 1st paperback unique to be reviewed via mythical long island instances critic Anthony Boucher. a lot of his novels have been tailored to the monitor, together with lifeless Calm (1963) and Don’t simply Stand There! (1966), for which Williams wrote the screenplay. He died in 1975.
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Unknown resource epub, fresh with operating bankruptcy breaks.

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Additional resources for All The Way (aka "The Concrete Flamingo")

Sample text

But after Ponneh cut her hand that day, Reza sat beside her and sang bits of a French song that Saba had shown him a few days before. “Le Mendiant de l’Amour” became popular in Iran because of its easy-to-mimic chorus and manic Persian-sounding melody.  . “That’s not what it means,” shot Saba, feeling personally injured by Reza’s blatant mistranslation, by his awful accent, and his lovely voice. ’ It’s French. ” She wanted to repeat her point, but didn’t want to be accused of showing off again.

How much earth, Saba asked me once after the big loss of half her family. How many scoops of my teaspoon would get me all the way from here to there? She held that spoon poised against the earth as if she were ready to start digging to her sister. She knew just how to break my heart. “He isn’t paid enough,” Mahtab said that day about the Sun and Moon Man. ” And Saba knew it was true, because at the end of every tale, the storyteller is required to do the truth-and-lies poem, the one that rhymes “yogurt” and “yogurt soda” (maast and doogh) with “truth” and “lies” (raast and doroogh).

Saba replies with shy smiles and nods. It is their private routine. Later, Ponneh accused Saba of excluding her again, revealing their secret pantry, and showing off in English. Saba accused Ponneh of cutting her hand on purpose, not truly caring about the music, and stealing her song. But in a world without Mahtab, Saba can’t last long without a best friend. Soon more important things distracted them. Ponneh discovered that with the right color chalk, she could draw 48 a t e a spoon of e a rth a n d se a entire scenes on the inside of an old white chador.

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